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Design Within Reach Min Dining Table Design Within Reach Min Dining Table
pre-owned

Frosted glass Luciano Bertoncini for Design Within Reach Min rectangular dining table with powder-coated steel frame. For our oversize Art & Home items such as Furniture and Area Rugs, we provide a White Glove delivery service which includes in-room delivery, assembly and removal of packing materials. Our deliveries typically take 4 to 6 weeks from the time the order is placed.

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Design Within Reach Bertoia Side Chair Design Within Reach Bertoia Side Chair

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). Featuring a delicate filigreed appearance thats supremely strong, these airy seats are sculpted out of steel rods. In his art, Bertoia experimented with open forms and metal work, and these chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is the authentic Bertoia Chair produced by Knoll. The Knoll logo is stamped into its base. Made in Italy. The White and Black frames can be used outdoors with limited exposure to the elements. The Chrome frame is not for outdoor use. Materials: Welded steel rods; polished chrome finish with chrome connections or bonded Rilsan® finish with stainless steel connections. Measurements:H 28.75" W 21.75" D 19.75" Seat H 17.75"

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Design Within Reach Kayu Teak Dining Bench Design Within Reach Kayu Teak Dining Bench

DWR Exclusive The Kayu Teak Bench (2009) is a combination of straightforward design and robust natural wood. Crafted of solid planks of teak, these pieces are left unfinished to allow for an inviting patina that requires very little maintenance, just soap and water. Both the Bench and coordinating Dining Table (sold separately) are made from Indonesian teak, which is harvested from strictly managed plantations, ensuring the woods sustainable origins. Assembly required. Pair with the Kayu Teak Dining Table or use it individually in the entryway or living room. Through sanding – which is the only processing done to this wood – natural oils are brought to the surface to create an incredible luster. Materials: Solid, unfinished teak. Measurements:H 17.75" W 78.75" D 15.75"

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Design Within Reach Gas Armchair Design Within Reach Gas Armchair

DWR Exclusive Jesús Gasca set out to design a chair with light, fluid lines, resolved at every curve and edge. The result is the timeless and eminently versatile Gas Armchair (2000). Its chrome-plated aluminum frame and curved seat and back cradle the body with no hard angles or sharp corners, offering ergonomic lumbar support for comfort over long periods. The versatility of this award-winning contract-quality chair is evident in the range of spaces its been used, from the ING headquarters in Holland to the Nevada Museum of Art, the University of Valencia in Spain to the inn at the Santo Estevo de Ribas de Sil monastery. Its a stackable, supremely well-constructed chair that comes upholstered in vinyl or leather. Plastic glides protect floors. Made in Spain. Materials: Chrome-plated aluminum frame; vinyl ("eco leather" that looks and feels like real leather) or leather upholstery. Measurements:H 31" W 22" D 20" Seat H 17" Arm H 25"

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Design Within Reach Upholstered DropTM Chair Design Within Reach Upholstered DropTM Chair

Arne Jacobsen designed the Drop Chair (1958) for his masterpiece, the legendary SAS Royal Hotel (now the Radisson Blu) in Copenhagen. It was originally manufactured along with Jacobsen’s Swan and Egg Collections but in very limited quantities. In hibernation for more than 50 years, Drop has finally returned. This compact chair with rare heritage is as fresh and vibrant today as it was back then. Constructed of strong ABS plastic with nylon reinforcement, the seat embraces the occupant while still allowing freedom of movement, resulting in a surprising level of comfort. Minimal tubular steel legs provide stability without stealing too much attention from the sculptural seat. This is the authentic Drop Chair manufactured by Republic of Fritz Hansen. Made in Denmark. Materials: ABS plastic shell with nylon interior reinforcement; cold-cured foam padding; fabric or stain-resistant leather upholstery; chromed tubular steel legs; felt glides. Measurements:H 35" W 18" D 21.5" Seat H 18.25"

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Design Within Reach NelsonTM Pedestal Stool Design Within Reach NelsonTM Pedestal Stool

Director of design at Herman Miller from 1945 to 1972, George Nelson helped make the company what it is today. He not only recruited influential designers Charles and Ray Eames and Isamu Noguchi but also created a portfolio of work that helped shape and grow modern design. His Pedestal Stool (1954) fits very well in casual spaces that require easy-to-rearrange seating. It features the clean lines and elegant simplicity typical of Nelson, with an upholstered seat pad that echoes Nelsons iconic Marshmallow Sofa and the same sculptural white aluminum base as Nelson pedestal tables, its siblings. Eco-friendly as it is sightly, its polyester upholstery is devoid of antimony, a known industrial pollutant. Mix and match colors to liven up living spaces, or make a statement with one hue. Self-leveling glides adjust to uneven floor surfaces. This is the authentic Nelson Pedestal Stool produced by Herman Miller. Made in U.S.A. Materials: White powder-coated aluminum base; foam cushion; Gem fabric upholstery (100% antimony-free polyester). Measurements:H 16" Diameter 15"

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Design Within Reach Table Globe - Mint Design Within Reach Table Globe - Mint

Denmark-based Atmosphere Design Team is a collective of industrial designers that boasts years of experience in creating decorative yet functional globes using state-of-the-art technology. Their Table Globe (2006) features an aluminum sphere of silver landmasses surrounded by colored bodies of water, mounted on a ring-shaped aluminum base with pads for protecting delicate surfaces. Digitally mapped and precisely positioned, it accurately represents both the geographical location of all continents and oceans and the 23.5-degree tilt of the earth toward the sun. This compact globe can be proudly displayed in most any room. Made in Italy. Materials: Aluminum; polystyrene. Measurements:H 16" Diameter 12"

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Design Within Reach Eames Molded Plywood Dining Chair (DCW) Design Within Reach Eames Molded Plywood Dining Chair (DCW)

Hailed by Time magazine as the Best Design of the 20th Century, the iconic DCW or Dining Chair Wood (1946) began as an experiment in the Eameses apartment, where they were molding plywood in what they called the Kazam! Machine. The machine pressed thin sheets of wood veneer against a heated membrane that was inflated by a bicycle pump. Humble beginnings for what would become one of the worlds most widely recognized and highly coveted chairs. Expertly crafted with a molded seat and back (no bike pumps are used today), this chair supports you in a comfortable ergonomic position while rubber shock mounts buffer against jarring movement. This original is an authentic product of Herman Miller®, Inc. Eames is a licensed trademark of Herman Miller. Made in U.S.A. Materials: Molded five-ply seat and back; eight-ply legs and back brace; walnut, white ash, santos palisander, red-stained ash or black-stained ash veneer; rubber shock mounts. Measurements:H 28.75" W 19.5" D 21.75" Seat H 18"

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Design Within Reach Eames Molded Fiberglass Dowel-Leg Side Chair (DFSW) Design Within Reach Eames Molded Fiberglass Dowel-Leg Side Chair (DFSW)

Charles and Ray Eames believed "design is a method of action," and they continually updated their work as new materials became available. "The chair that Charles and Ray were designing," explains grandson Eames Demetrios, "is the chair that's made tomorrow ." The duo originally designed their molded chair in metal and entered it as a prototype in MoMA's 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFSW stands for dining-height fiberglass side chair with wood base. Made of 99% recyclable materials and covered by Herman Miller's take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; maple, walnut, ebony-stained ash or white ash dowels; black or white powder-coated wire. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.75" W 18.5" D 21" Seat H 17"

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Design Within Reach Eames Upholstered Molded Fiberglass Wire-Base Armchair (DFAR) Design Within Reach Eames Upholstered Molded Fiberglass Wire-Base Armchair (DFAR)

Charles and Ray Eames believed design is a method of action, and they continually updated their work as new materials became available. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The duo originally designed their molded chair in metal and entered it as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFAR stands for dining-height fiberglass armchair with rod base. Made of 98% recyclable materials and covered by Herman Millers take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; black powder-coated or chrome-plated steel base; leveling floor glides; Hopsak upholstery (100% recycled polyester). The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 32" W 25" D 23" Seat H 17.25" Arm H 26.5"

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Design Within Reach Risom Round Dining Table Design Within Reach Risom Round Dining Table

The Risom Dining Table (1943), by Danish designer Jens Risom, is testament to the simplicity and ingenuity that is so often found in timeless modern furniture. One of the first pieces commissioned by Knoll®, it brought the natural materials and understated form of Scandinavian design to large-scale U.S. production. Greenguard® certified for sustainable materials and manufacturing. Ships flat to save on packing materials; simple assembly required. Each piece is stamped with the KnollStudio logo and the designers signature. This is the authentic Risom Dining Table produced by Knoll. Made in U.S.A. Materials: Solid walnut, ebonized walnut or maple legs and apron; walnut, ebonized walnut or maple veneer over basswood tabletop. Measurements:H 28" Diameter 42"

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Design Within Reach Saarinen Executive Armchair with Metal Legs Design Within Reach Saarinen Executive Armchair with Metal Legs

The design of Eero Saarinen's Executive Armchair (1950) began more than a decade earlier, when he and Charles Eames submitted several designs to the Organic Design in Home Furnishings competition at MoMA. The pair, who'd been friends and collaborators since meeting at Cranbrook Academy of Art, won first prize. These fluid, sculptural shapes influenced the future work of both men – for Saarinen, most notably in his Womb, Tulip and Executive Chairs. The Executive was originally made of fiberglass but was later updated in polyurethane to take advantage of the technical advances in plastics. The feel of this classic seat, however, remains unchanged. The molded shell flexes slightly with the sitter, and the contoured plywood seat is supported by metal or wood legs. Unlike Saarinen's furniture, which was consistently sculptural in form, these fluid lines didn't appear in his architecture until the 1950s. When looking at the dome-shaped glass wall of the Kresge Auditorium at MIT, it's not a big leap to see the same shape in the back of his Executive Chair. This chair is Greenguard Indoor Air Quality Certified for its use of low-emitting products. Manufactured by Knoll according to the original and exacting specifications of the designer. Backed by a five-year manufacturers warranty. Made in U.S.A. Materials: Molded reinforced polyurethane shell; contoured plywood seat; steel leg base; seamless tubular steel legs with polished chrome finish. FABRIC 1: Knoll Classic Bouclé, 52% wool, 48% nylon. FABRIC 2: Knoll Textiles Rivington, 38% wool, 28% cotton, 28% acrylic, 6% polyester. LEATHER: Spinneybeck Volo leather upholstery. Measurements:H 31.5" W 26.75" D 25.5" Seat H 18"

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Design Within Reach Sezz Barstool Design Within Reach Sezz Barstool

Christophe Pillet brings simplicity, sensuality and a light touch to his internationally renowned work with Lacoste, Catherine Malandrino, Cappellini, Emu, Renault and others. This French designer was trained in Italy, where he assisted Martine Bedin and Michele De Lucchi, and returned to France in 2003 to launch his own agency. His collaboration with Emeco began in 2009 when Pillet was commissioned by Hotel Sezz to do the interiors for its new St. Tropez location. A contemporary interpretation of beauty, timelessness and industrial heritage, the Sezz Barstool (2010) is sleek and inviting. The look is very subtle, says Pillet, but it holds unbelievable quality. You dont see the welding, the recycled aluminum, the indestructibleness – they are all real but invisible values, the hidden territory of a luxury product. The Sezzs engineering challenge was to build the perfect frame to fit the comfortable rounded seat. The solution is a tube design thats bent by hand to hold the deep seat basket, and then, like all Emeco seating, is hand-welded, ground and hardened. The resulting Sezz Collection, built to last lifetimes, combines Emecos traditional heritage with a very modern design. Made in U.S.A. Materials: Anodized aluminum; clear Lexan polycarbonate glides. Measurements:H 40" W 16" D 20.5" Seat H 30"

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Design Within Reach Eames Molded Fiberglass Wire-Base Side Chair (DFSR) Design Within Reach Eames Molded Fiberglass Wire-Base Side Chair (DFSR)

Charles and Ray Eames believed design is a method of action, and they continually updated their work as new materials became available. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The duo originally designed their molded chair in metal and entered it as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design, then refashioned it in light yet strong fiberglass just two years later. In the 1980s, after determining fiberglass production was detrimental to the environment, Herman Miller ceased production to explore more sustainable options, eventually choosing recyclable polypropylene. The company never quite forgot about fiberglass, however, and it recently began researching greener production methods. The Eames Molded Fiberglass Chair (1950) is the end result, constructed using a cleaner process but true to the original with its beloved variegated surface. This reintroduced version comes in a range of reformulated semi-gloss color pigments that faithfully reproduce the vintage ones. Its deep seat pocket and waterfall edge keep you comfortable by reducing pressure on the backs of your thighs. The seat back is left unfinished to maintain a slightly rough natural texture for easier gripping with your hands. This is an authentic Eames product by Herman Miller. Made in U.S.A. DFSR stands for dining-height fiberglass side chair with rod base. Made of 99% recyclable materials and covered by Herman Millers take-back program for environmentally sound recycling (should you ever wish to part with this chair). Materials: Fiberglass-reinforced plastic seat; black or white powder-coated or chrome-plated steel base; leveling floor glides. The process for making shells and the nature of fiberglass mean that each shell is unique and can possess traits such as tiny cavities in the surface, small points of lighter or darker color, or faint circular shadows where base attaches to shell. Measurements:H 31.25" W 18.75" D 22" Seat H 17.75"

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Design Within Reach Hoffmann Armchair Design Within Reach Hoffmann Armchair

Josef Hoffmann is well known for the simple, restrained, yet visually interesting dining chairs – several intended for cafés – that he designed early in the 20th century. The influence of the Arts and Crafts movement can be seen in his work, but Hoffmann also embraced the industrial age. Rather than rejecting traditional decoration, he succeeded in making it serve structural principles, which he believed should determine the forms of buildings, interiors and objects. Whether admiring one of his chairs or the Sanatorium Purkersdorf he designed in 1903, you can see Hoffmanns emphasis on straight, unadorned lines, characteristics that are in keeping with the style of the Viennese Secession. The Hoffmann Armchair (1925), designed in collaboration with Josef Frank, is made at the bentwood factory founded by Michael Thonet in 1861. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-based stain and clear varnish; nylon floor glides. Measurements:H 31.5" W 19.5" D 21" Seat H 18" Arm H 27.5"

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Design Within Reach SpriteTM Armchair Design Within Reach SpriteTM Armchair

Known for his contributions to the design of the Sony Walkman and Apple computers, as well as consulting for Louis Vuitton, futuristic thinker Ross Lovegrove designed the Sprite Collection (2004) as the essential chair. The sinuous molded wood shell gives the chair its contemporary appearance, and Lovegrove has proportioned the slim-profiled, stackable Sprite for workplaces, schools and residences, as well as public or conference seating. The Sprite Armchair offers a generous seat; its back is slightly curved near the base to provide lumbar support for long-lasting comfort. A year after the Sprite was introduced, Lovegrove was honored with the World Technology Award by Time magazine and CNN. Made in U.S.A. Suitable for dining rooms, cafés, and residential and educational applications. Both the Side and Armchairs stack 8 to 10 high; rubber bumpers assure proper stacking. 2004 Good Design Award. Materials: Molded six-layer maple plywood shell with maple veneer; tubular steel with mirror chrome finish. Measurements:H 32" W 29" D 22" Seat H 17" Arm H 25.25"

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Design Within Reach Saarinen TulipTM Armless Chair Design Within Reach Saarinen TulipTM Armless Chair

Eero Saarinen called himself a “form giver,” and everything he designed – from the Gateway Arch in St. Louis to his Womb Chair to his Pedestal Table – had a strong sculptural quality. “The underside of typical tables and chairs makes a confusing, unrestful world,” said Saarinen. In a 1956 cover story in Time magazine, he announced that he was designing a collection to “clear up the slum of legs in the U.S. home.” Later that year, he completed his Pedestal Table and Tulip Chair Collection (1956) with its cast aluminum base inspired by a drop of high-viscosity liquid. The seat swivels for easy entrance to or exit from a table. Each chair is stamped with the KnollStudio logo and Eero Saarinen’s signature. This is the authentic Tulip Collection produced by Knoll. Made in Italy. The Tulip Collection is Greenguard Indoor Air Quality Certified®. Materials: Molded fiberglass seat shell; cast-aluminum base with black or white Rilsan®-coated finish. SEAT CUSHION, Volo Leather: Spinneybeck® Volo, full-grain, semi-aniline leather; Vinyl: 100% vinyl. Measurements:H 32" W 20" D 21.5" Seat H 18.5"

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Design Within Reach Hoffmann Side Chair Design Within Reach Hoffmann Side Chair

Josef Hoffmann is well known for the simple, restrained, yet visually interesting dining chairs – several intended for cafés – that he designed early in the 20th century. The influence of the Arts and Crafts movement can be seen in his work, but Hoffmann also embraced the industrial age. Rather than rejecting traditional decoration, he succeeded in making it serve structural principles, which he believed should determine the forms of buildings, interiors and objects. Whether admiring one of his chairs or the Sanatorium Purkersdorf he designed in 1903, you can see Hoffmanns emphasis on straight, unadorned lines, characteristics that are in keeping with the style of the Viennese Secession. The Hoffmann Side Chair (1925), designed in collaboration with Josef Frank, is made at the bentwood factory founded by Michael Thonet in 1861. Made in the Czech Republic. Materials: Solid European beech wood from FSC-certified sources; caned seat; water-based stain and clear varnish; nylon floor glides. Measurements:H 31.5" W 17.75" D 21" Seat H 18"

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Design Within Reach Series 7TM Monochrome Chair Design Within Reach Series 7TM Monochrome Chair

The Series 7 Chair (1955) debuted in Sweden at the Helsingborg exhibition of 1955, or H55. One of the most copied chairs of the modern era, it features an ideal shape for the human form, with a back that offers just the right amount of give to keep your upper body comfortable and a waterfall seat that supports your legs without pressing into them. Arne Jacobsen, instilled with a love of materials, shaped the core of Danish design identity with this chair by forming it from one piece of plywood that he cleverly narrowed in the middle to accommodate three different bends. Once painstakingly made by hand, Series 7 is now crafted using automation methods borrowed from the German car industry and monitored by a team that ensures every single chair is perfect. Suitable for commercial use. Stacks six high. This is the authentic Series 7 Chair by Republic of Fritz Hansen. Made in Denmark. Colored Ash is a durable stain that keeps the wood grain visible, making each chair unique. Lacquered Veneer is a glossy finish with no visible wood grain. Materials: Pressure-molded sliced veneer shell with outer layer in lacquered or lazur-painted ash veneer; powder-coated tubular steel frame. Measurements:H 31" W 20.5" D 20" Seat H 18.3"

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Design Within Reach Nine-0TM Stacking Chair - Soft Back Design Within Reach Nine-0TM Stacking Chair - Soft Back

Presenting the Nine-0 Collection by Ettore Sottsass. The designer, who helped found the Memphis Group and created the iconic Olivetti Valentine typewriter, finished his seating collection for Emeco shortly before his death on December 31, 2007. The name “Nine-0” refers to the age Sottsass was when he designed the collection, which is handcrafted in Pennsylvania using the same 77-step process that Emeco first developed for its 1006 Navy® Chair. Sottsass was one of the first designers to use the 1006 Navy in residential applications, and the Nine-0 is his reinterpretation of that classic chair. The Nine-0, like all Emeco seating, is crafted of 80% recycled aluminum and has an estimated lifespan of 150 years. Stacks up to six high. Nine-0 chairs and stools contribute to LEED credit #4.2 Recycled Content (and credit #5.1 if shipped within 500 miles of Hanover, Pennsylvania). Backed by a seven-year manufacturer’s warranty. Made in U.S.A. Materials: Brushed anodized aluminum (80% recycled); polyurethane seat and back. Measurements:H 31.5" W 20.25" D 22.25" Seat H 18.5"

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Design Within Reach Bacco Barstool Design Within Reach Bacco Barstool

DWR Exclusive Omar De Biaggio got his start by cold-calling furniture stores and wholesale dealers he found listed in Elle Décor magazine. A handful agreed to see his prototypes, so he jumped in his car and drove to meeting after meeting. After his career-changing road trip, De Biaggio returned home with commissions for 300 chairs. When you show something to passion-driven people who understand why you designed it, and it finds a place in their hearts, then your product will be successful, says the designer. Omar De Biaggio named his Bacco Stool (2013) after Bacchus ( Bacco in Italian), the Roman god of wine, because its a source of relaxation, a way to enjoy a well-deserved rest after a hard days work. This is a multipurpose, modern and elegant chair, says the designer, with soft lines and, above all, a cozy shape, thanks to 3-D molding technology. The result is a curved shell that looks delicate but withstands frequent use, padded with crushproof rubber foam for additional comfort. Made in Italy. Materials: Solid walnut or oak legs; 3-D molded plywood and steel frame; polyurethane foam padding; Angel fabric (100% polyester), Textured Stripe fabric (8% acrylic, 26% cotton, 12% wool, 10% viscose, 4% linen) or leather upholstery. Measurements:H 40" W 20" D 19" Seat H 30.5"

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Design Within Reach Eames Molded Plastic Dowel-Leg Side Chair (DSW) Design Within Reach Eames Molded Plastic Dowel-Leg Side Chair (DSW)

Charles and Ray Eames believed that design is a method of action, and they continually updated their work as new materials became available. Their Molded Plastic chairs were originally designed in metal and entered as a prototype in MoMAs 1948 International Competition for Low-Cost Furniture Design. They then changed the material to fiberglass in 1950, and today the chairs are made of recyclable polypropylene. Charles was dissatisfied with the fiberglass, and it wasnt until after his death that the matte finish he desired was achieved, thanks to advances in materials. The chair that Charles and Ray were designing, explains grandson Eames Demetrios, is the chair thats made tomorrow . The deep seat pocket and waterfall seat edge keep you comfortable by reducing pressure on the backs of thighs. This is an authentic chair by Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Made in U.S.A. DSW stands for dining height, side chair with wood base. Materials: Injection-molded batch-dyed recyclable polypropylene; walnut, maple, ebony-stained ash or white ash dowels; black or white powder-coated or chrome-plated steel base. Measurements:H 31.75" W 18" D 21" Seat H 17.25"

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Design Within Reach Tolix Marais Four-Seater Dining Table Design Within Reach Tolix Marais Four-Seater Dining Table

DWR Exclusive Metalworker Xavier Pauchard not only brought the art of galvanizing steel to France but also took the process to the next level by creating the Marais A Chair (1934). The quintessential cafe chair, it was both elegant and robust enough to grace the decks of the S.S. Normandie ocean liner. After the death of Pauchard in 1948, his son Jean took over as managing director of Tolix and soon filled a void in the collection by designing a Dining Table (1955) to go with his fathers A Chair. Eighty years after the company was founded, the Tolix name is recognized worldwide as best-in-class furniture. All Tolix furniture is still made in Autun, the same Burgundy town where the company first began. Slight surface abrasions and markings are characteristic of the material and part of its hardworking machine aesthetic. Made in France. Tolix products are protected by copyright, making it illegal for another company to clone this table. At DWR, the Tolix products we sell are 100% authentic. The Marais Collection should be protected from moisture and kept indoors when not in use to maintain its finish. Materials: Sheet steel with epoxy varnish or powder-coated finish; rubber floor glides. Measurements:H 29" W 51" D 27.5"

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Design Within Reach Tolix Marais Barstool with High Back Design Within Reach Tolix Marais Barstool with High Back

DWR Exclusive Metalworker Xavier Pauchard not only brought the art of galvanizing steel to France but also took the process to the next level by creating the Marais A Chair (1934), as well as a selection of stools. The quintessential cafe collection, Tolix was both elegant and robust enough to grace the decks of the S.S. Normandie ocean liner, and 80 years after the company was founded, the Tolix name is recognized worldwide as best-in-class furniture. In 2006, the company introduced the Tolix Stool with High Back in response to customers requests. All Tolix furniture is still made in Autun, the same Burgundy town where the company first began. Slight surface abrasions and markings are characteristic of the material and part of its hardworking machine aesthetic. Made in France. Tolix products are protected by copyright, making it illegal for another company to clone this stool. At DWR, the Tolix products we sell are 100% authentic. The Marais Collection should be protected from moisture and kept indoors when not in use to maintain its finish. Materials: Sheet steel with epoxy varnish or powder-coated finish; rubber floor glides. Measurements:H 46" W 17.75" D 19" Seat H 29.5"

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Design Within Reach Salt Chair Design Within Reach Salt Chair

The compact footprint of the Salt Chair makes it a smart choice for cafés or just about anywhere you need to maximize seating. Unlike chairs that have widely splayed legs, a Salt Chair can be placed side by side with another without wasting space in between. Its lack of ornamentation and unnecessary excess lends this timeless, Shaker-style chair a modern feel. And no, its not named after its color – until recently, its been available only in black. Rather, it owes its title to being as fundamental as the salt shaker on your table. Constructed of solid oak or finished in a water-based opaque paint that really makes the chairs profile pop, Salt is unpretentious, familiar and made for everyday use. Made in the Czech Republic. Materials: Solid beech wood and plywood with painted finish or solid oak. Measurements:H 33.25" W 16" D 15.75" Seat H 17.75"

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Design Within Reach Nakashima Straight-Backed Chair Design Within Reach Nakashima Straight-Backed Chair

Presenting a very special re-introduction: the Nakashima Straight-Backed Chair (1946), designed by George Nakashima for Knoll. Nakashima was an MIT-trained architect who was known to describe himself as Japanese Shaker. This was meant to express his belief that his designs should be treated as everyday functional objects, not precious possessions. Such thinking was consistent with the Mingei Movement that influenced Nakashima and his work. The Movement sought to rescue common crafts that had been discarded as a result of industrial revolution, like traditional Japanese joinery and the use of natural materials. Whats remarkable about his work for Knoll is that Nakashima was able to maintain the sculptural lines and fine craftsmanship of his Straight-Backed Chair even at the mass production level. This reconciliation of art and industry, and the contradictions that accompanied it, continued to fascinate Nakashima throughout his career. His work has been presented at many exhibitions worldwide, including the retrospective Full Circle at the American Craft Museum in New York. This chair is manufactured by Knoll. Made in U.S.A. Materials: Solid walnut with solid hickory spindles. Measurements:H 30" W 22.5" D 17.5" Seat H 17"

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Design Within Reach Bertoia Side Chair with Vinyl Seat Pad Design Within Reach Bertoia Side Chair with Vinyl Seat Pad

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). Featuring a delicate filigreed appearance thats supremely strong, these airy seats are sculpted out of steel rods. In his art, Bertoia experimented with open forms and metal work, and these chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is the authentic Bertoia Chair produced by Knoll. The Knoll logo is stamped into its base. Chair made in Italy; seat pad made in U.S.A. The White and Black frames can be used outdoors with limited exposure to the elements. The Chrome frame is not for outdoor use. Seat pad is secured to chair with metal snaps. Materials: Welded steel rods; polished chrome finish with chrome connections or bonded Rilsan® finish with stainless steel connections; vinyl seat pad (65% polyester; 35% rayon). Measurements:H 28.75" W 21.75" D 19.75" Seat H 17.75"

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Design Within Reach One More Barstool Design Within Reach One More Barstool

Ten years after designing his iconic Louis Ghost Chair, Philippe Starck added the One More Barstool (2012) to the collection. If you want to sip a drink at the bar in peace and quiet, you need a comfortable tall stool with a back to lean against, says Starck. Sometimes one drink is not enough, and you need One More ... and sometimes One more, please. Sleek and sturdy, the first Ghost presented a significant manufacturing challenge for Kartell. Crafted from a single piece of injection-molded polycarbonate, the medallion back could be created thanks only to Kartells accumulated knowledge, built over years of innovation in plastics manufacturing. The result is a robust collection with a medallion backrest for leisurely comfort. Discussing the design of the collection with The Dallas Morning News , Starck commented that it has a mix of materials and styles based on our shared memories. We all own this piece in a way. The chair is well balanced; I try to be balanced myself. One More Barstool is suitable for indoor and outdoor use in residential and commercial settings. Made in Italy. The single-piece injection-molding process used in making every One More Barstool leaves behind several faint artifacts that are perfectly normal, not defects. Materials: Single-piece injection-molded transparent polycarbonate. Measurements:H 43" W 15" D 18" Seat H 29.5"

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Design Within Reach Risom Side Chair Design Within Reach Risom Side Chair

The Risom Side Chair (1943), by Danish designer Jens Risom, is testament to the simplicity and ingenuity that is so often found in timeless modern furniture. One of the first pieces commissioned by Knoll®, it brought the natural materials and understated form of Scandinavian design to large-scale U.S. production. Originally constructed with surplus parachute straps, the chair made the best of the few materials available during WWII. Today, the streamlined hardwood frame is expertly joined with mortise and tenon construction, and the heavy-duty cotton straps are tightly basket-woven across the frame for strength and resilience. Greenguard® certified for sustainable materials and manufacturing. Each piece is stamped with the KnollStudio logo and the designers signature. This is the authentic Risom Side Chair produced by Knoll. Made in U.S.A. Materials: Maple hardwood in a clear lacquer or ebonized finish, or walnut hardwood in a clear lacquer finish; 100% natural cotton webbing. Measurements:H 30.75" W 17.25" D 18" Seat H 17.75"

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Design Within Reach Su Felt Seat Pad Design Within Reach Su Felt Seat Pad

The Su Felt Seat Pad (2014) is designed for use with the Su Counter Stool from Emeco. For indoor use only. Pad attaches with double-sided tape. Made in U.S.A. Materials: Felt; post-consumer recycled PET substrate. Measurements:H 0.25" W 14.5" D 14"

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Design Within Reach Cesca Armchair - Cane Design Within Reach Cesca Armchair - Cane

Three years after designing his iconic Wassily Chair, which is believed to be the first bent tubular steel chair design, Marcel Breuer created the Cesca Chair (1928). Named in tribute to his daughter Francesca, the simple design pairs the industrial age aesthetic of tubular steel with caning and wood. This chair is stamped with the KnollStudio logo and Breuers signature. Cesca chairs are manufactured by Knoll® according to the original and exacting specifications of the designer. Made in USA. The Cesca is used in homes and restaurants worldwide, and an original 1928 chair is included in MoMAs permanent collection. Its among the 10 most important chairs of the 20th century, said Cara McCarty, associate curator, department of architecture and design at MoMA. The beech frame is available in an ebony finish. Materials: Tubular steel frame with chrome-plated finish; hardwood beech with cane inserts. Measurements:H 31.5" W 23.5" D 23.5" Seat H 17.75"

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Design Within Reach Era Backless Barstool Design Within Reach Era Backless Barstool

Defined by its dependable bentwood construction and simple organic form, the graceful, lightweight and surprisingly strong Era Collection has been in continuous production for more than 150 years. It is the work of Michael Thonet, who perfected the bentwood process for chair-making and in the process eliminated the need for expensive and time-consuming hand-carved joints. Swiss Architect Le Corbusier used Thonets chairs for his projects, stating, Never before was something more elegant and better in its conception, more precise in its realization and more fit for practical use created. Other fans of this ubiquitous form included Pierre-Auguste Renoir and Henri de Toulouse-Lautrec, both of whom featured it in their paintings. The Era Backless Stool (1859/1998) was created by engineers at Ton – manufacturer of Thonet seating for well over a century – in response to customer requests. Like any natural material, the wood used in this collection displays slight texture and color variations from one piece to another, making each unique. Made in the Czech Republic. Materials: Solid beech wood from FSC-certified sources; beech plywood seat; natural beech finish or water-based stain and varnish or lacquer finish; nylon floor glides. Measurements:H 30" Diameter 14.5"

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Design Within Reach Hudson Chair with Seat Pad Design Within Reach Hudson Chair with Seat Pad

Originally designed for the Hudson Hotel in New York City, the Hudson Collection (2000) is Philippe Starcks update of the 1006 Navy® Chair, designed by Emeco in 1944. Hudson is made using the same 77-step process that Emeco perfected 70 years ago to satisfy the militarys need for lightweight, corrosion-resistant chairs for submarines. The companys proprietary metal processing method yields aluminum three times stronger than steel – and a chair so durable that it has an estimated life span of 150 years. Working with Emeco has allowed me to use a recycled material and transform it into something that never needs to be discarded – a tireless and unbreakable chair to enjoy for a lifetime, says Starck. It is a chair you never own, you just use it for a while until it is the next persons turn. Hudson is included in the design collection at MoMA and received the 2000 Good Design Award from the Chicago Athenaeum. Hudson chairs and stools come with a lifetime guarantee. Chair with brushed finish suitable for outdoor use. This is the authentic Hudson Chair by Emeco. Made in U.S.A. Made from 80% recycled aluminum (40% post-consumer, 40% post-industrial), which requires only 5% of the energy needed to produce virgin aluminum. Hudson is a patented design by Philippe Starck for Emeco. It is illegal for another company to clone this chair. At DWR, the Emeco products we sell are 100% authentic. Materials: Aluminum with polished or anodized brushed finish; clear plastic glides. SEAT PAD, vinyl; foam. Measurements:H 33.5" W 15.5" D 19.5" Seat H 18"

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Design Within Reach Eames Upholstered Molded Plywood Dining Chair (DCM) Design Within Reach Eames Upholstered Molded Plywood Dining Chair (DCM)

A refreshing variant of the DCM (1946), the Upholstered DCM sports Kvadrat Divina fabric on its front side. This iconic chair began as an experiment in the Eameses apartment, where they were molding plywood in what they called the Kazam! Machine. The machine pressed thin sheets of wood veneer against a heated membrane that was inflated by a bicycle pump. Humble beginnings for what would become one of the worlds most widely recognized and highly coveted chairs. Low-slung, with an expertly crafted molded seat and back (no bike pumps are used today), this chair cradles you in a comfortable position. Its form relates directly to the human body and holds no secrets as to how it succeeds technically. The slender rod base provides superior strength, while rubber shock mounts buffer against jarring movement. This original is an authentic product of Herman Miller, Inc. Eames is a licensed trademark of Herman Miller. Made in U.S.A. DCM stands for dining chair with metal legs. Materials: Molded five-ply seat and back; walnut, white ash or santos palisander wood veneer, ebony-stained ash veneer or red-stained birch veneer; Maharam Divina by Kvadrat (100% wool); chromed-steel or black powder-coated legs and back brace; rubber shock mounts; self-leveling nylon glides. Measurements:H 29.5" W 20.5" D 20.5" Seat H 17.5"

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Design Within Reach Mller Model 78 Side Chair Design Within Reach Mller Model 78 Side Chair

DWR Exclusive In 1944, Niels Otto Møller founded J.L. Møllers Møbelfabrik in Denmark, a company that has received many awards, including the Danish Furniture Prize in 1974 and 1981. My father never compromised on anything, says Jørgen Henrik Møller. When he designed a chair, he would find the materials and then design the furniture. Each design took him five years to complete. Even today, the company continues to embrace handcrafting traditions to create pieces such as its Møller Chairs. The Model 78 Side Chair (1962) is marked by a seat handwoven from one continuous 425-foot-long piece of cord and a frame made of raw wood carefully selected from sustainable sources and meticulously polished by hand. Møllers remains a small family-owned business, now managed by Jørgen Henrik Møller. This is an authentic Møller Chair by J.L. Møllers Møbelfabrik. Made in Denmark. Materials: Oak, teak or walnut frame; woven paper cord or leather seat. Measurements:H 31.5" W 19" D 20.5" Seat H 17.5"

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Design Within Reach Matera Side Table Design Within Reach Matera Side Table

DWR Exclusive The Matera Collection (2007), focused on delivering ample storage, is the work of Sean Yoo, who at the time of its conception lived in Matera, Italy (thus its name). Born in Seoul, Yoo grew up in Los Angeles and was working as a city planner when a visit to the Noguchi Museum in New York inspired him to pursue design. I was particularly attracted to the way Noguchi applied sculptural qualities to common household objects, says Yoo. It seemed to give meaning and purpose to otherwise meaningless objects. The Matera Collection features clean lines nicely finished with beveled edges, running match wood grain and exposed-slot mortise-and-tenon corner joints. All pieces have slotted bases that lend an airy feel. The Matera Side Table has a C-shape floating design meant to accommodate the Matera Bed with Storage – placed next to the bed, the table allows free access to the drawer facing it, which passes right through its base when opened. Made in Malaysia. Materials: Solid walnut or oak case frame; walnut or oak veneer over MDF with thick solid walnut or oak edging. Measurements:H 22.5" W 20.5" D 15.5"

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Design Within Reach Bertoia Barstool Design Within Reach Bertoia Barstool

With his iconic seating collection, Harry Bertoia transformed industrial wire rods into a new furniture form. The events that made this work possible began a decade earlier at Cranbrook Academy of Art, when Bertoia met Florence Knoll (then Florence Schust). Years later, the Italian-born designer was invited to work for Florence and her husband, Hans Knoll. Bertoia was given the freedom to work on whatever suited him, without being held to a strict design agenda, and the result of this arrangement was the Bertoia Seating Collection (1952). Featuring a delicate filigreed appearance thats supremely strong, these airy seats are sculpted out of steel rods. In his art, Bertoia experimented with open forms and metal work, and these chairs were an extension of that work. If you look at the chairs, they are mainly made of air, like sculpture, said Bertoia. Space passes through them. After designing his seating collection, Bertoia returned to focusing mostly on sculpture. This is the authentic Bertoia Stool produced by Knoll. The Knoll logo is stamped into its base. Made in Italy. The White and Black frames can be used outdoors with limited exposure to the elements. The Chrome frame is not for outdoor use. Materials: Welded steel rods; polished chrome finish with chrome connections or bonded Rilsan® finish with stainless steel connections. Measurements:H 41.5" W 22" D 22" Seat H 29.5"

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Design Within Reach CH88 Stacking Chair, Upholstered Design Within Reach CH88 Stacking Chair, Upholstered

Midcentury Danish design master and chair-maker of chair-makers Hans Wegner never saw quality and quantity as mutually exclusive. An innovator of organic functionalism, he designed more than 500 chairs in his lifetime, many of which are heralded as design icons. His CH88 Stacking Chair (1955) is but one of them, fusing warm wood and industrial steel in one unified form. It combines a steam-molded wooden back with upturned ends to provide a natural resting place for your arms and an oval wooden seat on a tubular steel frame. Carl Hansen & Søn launched the CH88 Stacking Chair in 2014 to commemorate the 100th anniversary of Wegners birth. Stacks up to four high. Made in Denmark. Materials: Oiled oak seat and back; tubular stainless steel frame. Measurements:H 30.25" W 22.5" D 17.5" Seat H 17.5"

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Design Within Reach Era Armchair Design Within Reach Era Armchair

Defined by its dependable bentwood construction and simple organic form, the graceful, lightweight and surprisingly strong Era Collection (1859) has been in continuous production for more than 150 years. By making the chair back and rear legs from a single piece of curved wood, designer Michael Thonet, who perfected the bentwood process for chair-making, eliminated the need for expensive and time-consuming hand-carved joints. Swiss architect Le Corbusier used the Era Chair in his buildings, stating, This chair, whose millions of representatives are used on the Continent and in the two Americas, possesses nobility. Other fans of this iconic form included Pierre-Auguste Renoir and Henri de Toulouse-Lautrec, both of whom featured this chair in their paintings. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in the Czech Republic at a factory thats been making chairs for more than a century. Materials: Solid beech wood from FSC-certified sources; beech plywood seat; water-based stain and varnish or lacquer finish; nylon floor glides. Measurements:H 30.75" W 21.5" D 22.5" Seat H 18.25" Arm H 27.75"

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Design Within Reach Cherner Round Table Design Within Reach Cherner Round Table

In 1999, Norman Cherner's sons, Benjamin and Thomas, honored the requests of various architects and began bringing their father's Cherner Chair back into production. The success of the Chair inspired Benjamin – a New York-based architect and multidisciplinary designer – to create the Cherner Table (2003). Introduced at the International Contemporary Furniture Fair (ICFF), the Table echoes the curved plywood lines of the Chair. Lightweight but strong, the Cherner Table has a solid core of multi-ply beech wood, overlaid with a walnut veneer. This is the authentic Cherner Table produced by the Cherner Chair Company. Made in U.S.A. Materials: Molded beech wood plywood; walnut veneer. Measurements:H 29" Diameter 48"

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